And when I wished to sing of sorrow, it was transformed for me into love.” “When I wished to sing of love, it turned to sorrow. A favorite quote of mine from Schubert is indeed connected to his love of lieder composition: He was a complicated man - living in a restrictive, yet creatively rich place and time. These gatherings also became a place for discussion and debate among more “free-thinking” members of the artist and cognoscenti classes in early 19th-Century Vienna. The Schubertiade became a primary means of disseminating Schubert’s music, creating a supportive community around him and his music. Artistic topics of the day were discussed and the composer himself would hold forth on his affinity with particular poets, painters and sculptors from his perch at the piano. In addition to Schubert’s music, contemporary poets whose works Schubert set to music often had their poems read aloud at these gatherings. Schubert’s ability to highlight the meaning of the text by creating uniquely illustrative piano accompaniments (or word painting) was revolutionary. Schubert was an incredibly gifted and prolific composer of lieder - essentially re-defining the genre into one which not only extolled the powerful marriage of poetry and music, but also the relationship between singer and piano. Each Schubertiade usually featured a combination of chamber music, music for solo piano and, of course, songs (or lieder) - lots and lots of lieder. For the Austrian composer Franz Schubert (1797-1828), these evenings dedicated to the sharing of his music became known as Schubertiades.
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