I encourage you to tuck a sketchpad in your suitcase when you’re packing for your next trip…and see what doors it might open for you. My sketchbook has become that key for me-just like the brass key Nuria and Joan used to open their casa particular. The goal is to find our own key for unlocking it, whether it’s through sampling the local cuisine, communing with nature, or photographing street art. When we travel, each new place starts out as a closed door. The encounter was a perfect metaphor for what it is I’ve come to value most about sketching. ![]() We spoke for more than half an hour, and the insights they shared about the history and culture of Costa Brava added unexpected layers to my understanding of the region. The man asked me what I was painting.Īfter I showed them my sketch, the couple offered me a seat, introduced themselves as Joan and Nuria, and told me they had owned the one-room casa particular (holiday cottage) hidden behind the red door for the past 25 years. If I sense someone peering over my shoulder, I’ll often look up, say hello, and try to strike up a conversation with them.įor example, at the end of this particular sketching session in Spain, a man and a woman came came through the red door that I’d included in my drawing. When I’m sketching, I try to be aware of the people moving around me. Traveling with a sketchbook has not only influenced how I see the world, but also how I interact and connect with other cultures. When that’s not possible-daylight has run out, it started raining, or there’s somewhere else I need to be-I’ll photograph my vantage point and use it to finish the sketch at a later time. Staying immersed in the process from start to finish helps me tell the story of that scene as it unfolded during my experience. Ideally, I’ll complete a sketch while on location. Whether you’re using markers, colored pencils, or watercolors, each medium offers its own adventure. ![]() Bring it to life with color.Īt this point, it’s all about having fun-after concentrating for an hour or two on drawing, my brain always welcomes the chance to change speeds.
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